Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
OK
Audible sample Sample
From a Certain Point of View: The Empire Strikes Back (Star Wars) Audio CD – Unabridged, November 10, 2020
Purchase options and add-ons
On May 21, 1980, Star Wars became a true saga with the release of The Empire Strikes Back. In honor of the fortieth anniversary, forty storytellers re-create an iconic scene from The Empire Strikes Back through the eyes of a supporting character, from heroes and villains, to droids and creatures. From a Certain Point of View features contributions by bestselling authors and trendsetting artists:
• Austin Walker explores the unlikely partnership of bounty hunters Dengar and IG-88 as they pursue Han Solo.
• Hank Green chronicles the life of a naturalist caring for tauntauns on the frozen world of Hoth.
• Tracy Deonn delves into the dark heart of the Dagobah cave where Luke confronts a terrifying vision.
• Martha Wells reveals the world of the Ugnaught clans who dwell in the depths of Cloud City.
• Mark Oshiro recounts the wampa's tragic tale of loss and survival.
• Seth Dickinson interrogates the cost of serving a ruthless empire aboard the bridge of a doomed Imperial starship.
Plus more hilarious, heartbreaking, and astonishing tales from:
Tom Angleberger, Sarwat Chadda, S.A. Chakraborty, Mike Chen, Adam Christopher, Katie Cook, Zoraida Córdova, Delilah S. Dawson, Alexander Freed, Jason Fry, Christie Golden, Rob Hart, Lydia Kang, Michael Kogge, R. F. Kuang, C. B. Lee, Mackenzi Lee, John Jackson Miller, Michael Moreci, Daniel José Older, Amy Ratcliffe, Beth Revis, Lilliam Rivera, Cavan Scott, Emily Skrutskie, Karen Strong, Anne Toole, Catherynne M. Valente, Django Wexler, Kiersten White, Gary Whitta, Brittany N. Williams, Charles Yu, Jim Zub
All participating authors have generously forgone any compensation for their stories. Instead, their proceeds will be donated to First Book—a leading nonprofit that provides new books, learning materials, and other essentials to educators and organizations serving children in need. To further celebrate the launch of this book and both companies’ longstanding relationships with First Book, Penguin Random House will donate $100,000 to First Book and Disney/Lucasfilm will donate 100,000 children’s books—valued at $1,000,000—to support First Book and their mission of providing equal access to quality education.
Read by Jonathan Davis, Sean Kenin Elias-Reyes, Dion Graham, Jon Hamm, January LaVoy, Soneela Nankani, Marc Thompson, Sam Witwer, and Emily Woo Zeller
- Print length13 pages
- LanguageEnglish
- PublisherRandom House Audio
- Publication dateNovember 10, 2020
- Dimensions5.05 x 1.63 x 5.87 inches
- ISBN-100593215400
- ISBN-13978-0593215401
Books with Buzz
Discover the latest buzz-worthy books, from mysteries and romance to humor and nonfiction. Explore more
Similar items that may deliver to you quickly
Editorial Reviews
Review
About the Author
Hank Green is the #1 New York Times bestselling author of An Absolutely Remarkable Thing and A Beautifully Foolish Endeavor. He’s also the CEO of Complexly, a production company that creates educational content, including Crash Course and SciShow, prompting The Washington Post to name him “one of America’s most popular science teachers.” Complexly’s videos have been viewed more than two billion times on YouTube. Hank and his brother, John, are also raising money to dramatically and systematically improve maternal health care in Sierra Leone, where, if trends continue, one in seventeen women will die in childbirth.
R. F. Kuang is the Nebula, Locus, and World Fantasy award nominated author of The Poppy War and The Dragon Republic (HarperVoyager). She has an MPhil in Chinese studies from the University of Cambridge and is currently pursuing an MSc in contemporary Chinese studies at Oxford University on a Marshall Scholarship. She also translates Chinese science fiction to English. Her debut The Poppy War was listed by Time and The Guardian as one of the best books of 2018 and has won the Crawford Award and Compton Crook Award for Best First Novel.
Martha Wells has been an SF/F writer since her first fantasy novel was published in 1993, and a Star Wars fan since she saw A New Hope in the theater in 1977. Her work includes The Books of the Raksura series, The Death of the Necromancer, the Ile-Rien trilogy, The Murderbot Diaries series, media tie-ins for Star Wars and Stargate: Atlantis, as well as short fiction, YA novels, and nonfiction. She was also the lead writer for the story team of Magic: The Gathering’s Dominaria expansion in 2018. She has won a Nebula Award, two Hugo Awards, and two Locus Awards, and her work has appeared on the Philip K. Dick Award ballot, the BSFA Award ballot, the USA Today bestseller list, and the New York Times bestseller list.
Kiersten White is the New York Times bestselling, Stoker Award–winning author of many books, including the And I Darken trilogy, the Slayer series, the Camelot Rising trilogy, and The Dark Descent of Elizabeth Frankenstein. She owns a perfectly reasonable number of lightsabers, and sometimes even lets her kids play with them.
Excerpt. © Reprinted by permission. All rights reserved.
Kiersten White
“Pick any of the last ten transmissions you’ve looked at. You have to live there for the rest of your life. Where are you?” Lorem said, her voice ringing through the small processing room where they all worked.
Maela admired how Lorem could multitask, sorting through data while keeping up a steady stream of chatter.
Dirjo Harch did not admire it. “Just do your job.” He deleted whatever he was looking at on his screen and pulled up the next data packet. Maela wished they could work individually. Or better yet, in small groups. She’d pick Lorem for her group. And Azier. So really, she’d make a group that was everyone except Dirjo, with his sour expressions and his pinched personality.
“I am doing my job,” Lorem said, chipper as always. Sometimes she wore her cap at a jaunty angle over her dark curls. Just enough to be off dress code, but not enough to give Dirjo an excuse to report her. Maela liked the uniform, liked what it meant. That she was here. That she did it.
A light flashed near Maela’s face and she flipped the switch, accepting an incoming transmission and adding it to the ever-growing queue. She had spent so long with the Vipers, infinite rows of them, round domes and legs like jointed tentacles. She used to stare into their blank black eyes and wonder where they would go. What they would see.
Now she saw everything.
“But while I’m doing my job,” Lorem continued, and Dirjo’s shoulders tensed, “I don’t see why we can’t have some fun. We’re going to be looking through a hundred thousand of these transmissions.”
Azier leaned back, stretching. He rubbed his hands down his pale face, clean-shaven, wrinkled. Maela suspected working on the Swarm transmission recovery and processing unit was a demotion for him, though she didn’t know why. Dirjo and Lorem were just starting their Imperial service, like her.
“Lorem, my young friend,” Azier said in the clipped, polished tones of the Empire, the ones Maela was still trying to master to hide that she came from somewhere else, “the man we report to is serving on the Executor as part of Lord Vader’s Death Squadron. Do you really think fun is a priority for any of them?”
Lorem giggled, and even Maela had to smile. Dirjo, however, scowled, turning his head sharply. “Are you criticizing Lord Vader?”
Azier waved a hand dismissively. “They’re bringing death to those who would threaten the Empire. I lived through a war none of you remember or understand. I have no desire to do it again. And Lorem, to answer your question, I’d rather stay in this floating tin can forever than visit any of the forsaken rocks our probe droids are reporting from.”
“Not a hundred thousand,” Maela said softly.
“What?” Lorem asked, turning around in her chair to give her full attention to Maela.
“Project Swarm sent out a hundred thousand. But some won’t make it to their destinations. Some will crash and be incapable of functioning after. Some might land in environments that make transmission impossible. If I had to guess, I’d say we’ll receive anywhere from sixty-five thousand to eighty thousand transmissions.” Vipers were tough little wonders, and their pods protected them, but still. Space was vast, and there were so many variables.
“In that case,” Lorem said, grinning, “we’ll be done by the end of the day. And then we can decide which planet we’ll live on forever! Though none of my prospects are good. You’re from the Deep Core, aren’t you? Any footage from your planet so we can add it to our potential relocation list?”
Maela turned back to her own work. Her accent attempts hadn’t been as good as she thought, after all. “No footage. We didn’t send droids to Vulpter.”
Azier snorted a laugh.
“Why?” Lorem asked. “Why is that funny?”
Dirjo hit a button harder than necessary. “Half the probe droids we have are made on Vulpter. Back to work.” His tone was brusque, but he looked appraisingly at Maela. “You came from the manufacturing side. I would like to speak about it, sometime.”
Maela went back to her screen. She knew this work wasn’t sought-after. That it was either washouts like Azier or those who hadn’t managed to climb up the ranks yet like Dirjo. But she had specifically requested it and had no desire to move elsewhere in the Empire’s service. She slipped her hand into her pocket and rubbed the smooth, rounded surface of a probe droid’s main eye. How many times had she traced these eyes, longing to see what they saw? Imagined flinging herself through the reaches of space alongside them to uncover sights untold?
And now here she was. As close as she could get. The fates and visions of tens of thousands of probe droids at her fingertips. It was an actual dream come true.
For her, at least.
“No,” her mother said, not bothering to take off her mirrored goggles. “Absolutely not.”
Maela felt the pout taking over her face, which made her angry. She was past pouting age, and definitely past being teased for the way her lips refused to allow her to hide any emotions.
“It’s not fair,” she said, gesturing at the prototype her mother was tinkering with. “There’s so much out there, and they see everything, and all I see is this factory.” Maela leaned close, looking at her distorted reflection in the probe droid’s main eye. She knew it wasn’t an eye, not really, but she always thought of it that way. She would walk down the lines of droids, hanging like fruit from mechanical vines, making certain she saw herself in every single eye. That way, when they went out into the galaxy, flung to places and planets she would never visit, at least part of her would be taken. A ghost in her mother’s machines.
“You think you’ll see so much, working for the Empire?” Her mother made a face like she had a bad taste in her mouth. “You don’t want any part of them.”
“How can you say that?” Maela threw her hands in the air, astounded at her mother’s hypocrisy. “You work for them!”
“I do not work for them. I design and manufacture droids. Which is not an easy business to be in after the Clone Wars.” She sighed, leaning back and running her hands through her wild curls. They were more gray than black now, and Maela knew beneath the goggles she’d see the fine lines of age slowly claiming all the skin around her mother’s eyes. “This is what I’m good at. It’s what keeps our family safe.”
“And keeps us locked up here on this lifeless planet in this lifeless factory!” Maela kicked the table, and the prototype parts went skittering away. “At least if I were working with the Empire, I’d be doing something.”
“Yes,” her mother said, in a tone like a door sliding shut. “You would be doing many things.” She walked away, leaving Maela alone with the metal that was not yet a droid.
Maela picked up the eye and stared at her reflection. She didn’t want to be a ghost, a memory, a prisoner. The eye fit perfectly in her pocket, tucked alongside the decision Maela had made. She would send herself out into the galaxy, flung to new and unknown destinations by the same Empire that claimed these droids.
Maela’s eyes were grainy, so dry she could hear her eyelids click when she blinked. She didn’t know how long she had been watching footage, dismissing transmissions that offered no useful information. The others had wandered out at some point, to eat or sleep, she didn’t know.
She didn’t need her mother’s droids to carry her ghost into the galaxy, because she was connected to them now. They were at her fingertips, and she stared out through them at countless new sights. She was everywhere.
Plants as tall as buildings, towering overhead, glowing in colors human eyes couldn’t have discerned. Desertscapes so barren she could feel her throat parching just looking at them. A depthless ocean, eyes and teeth and fins exploring her as she sank into darkness. World after world after world, and she was seeing them all.
She was so blinded by the infinite white ice of the newest planet that she almost missed it.
“Someone made those,” she whispered, tracing the even, symmetrical mounds rising out of the snow. They were metal, and, according to the droid, they were generating power. Which meant they were being used. But before she could make the connection active and direct the droid, the screen flashed and then the feed was dead.
Her droid had self-destructed. Which could only mean it had been attacked. Maela’s heart began racing. This was it. She had found what they were looking for, she was certain.
She pushed her comm. “Dirjo, I’ve got them.”
His answer crackled with static and sleepiness. “Got what?”
“The Rebellion.”
Product details
- Publisher : Random House Audio; Unabridged edition (November 10, 2020)
- Language : English
- Audio CD : 13 pages
- ISBN-10 : 0593215400
- ISBN-13 : 978-0593215401
- Item Weight : 13.6 ounces
- Dimensions : 5.05 x 1.63 x 5.87 inches
- Best Sellers Rank: #3,025,271 in Books (See Top 100 in Books)
- #5,244 in Galactic Empire Science Fiction
- #18,410 in Books on CD
- #24,251 in Space Operas
- Customer Reviews:
About the authors
New York Times bestselling author John Jackson Miller has spent a lifetime immersed in the worlds of fantasy and science fiction. He's best known for his Star Wars and Star Trek work, including Star Wars: Kenobi, his Scribe Award winning novel from Del Rey; Star Wars: A New Dawn; the Star Trek: Prey trilogy, and Star Trek: Discovery - The Enterprise War.
He's also written comics included the long-running Star Wars: Knights of the Old Republic comics series, as well as comics for Battlestar Galactica, Halo, Lion King, Mass Effect, Iron Man, Indiana Jones, and The Simpsons. Production notes on all his works can be found at his fiction site (farawaypress.com).
Miller is also a noted comics industry historian, specializing in studying comic-book circulation as presented on his website, Comichron (comichron.com). He also coauthored the Standard Catalog of Comic Books series.
Jim Zub is a writer, artist and art instructor based in Toronto, Canada. Over the past twenty years he’s worked for a diverse array of publishing, movie and video game clients including Marvel, DC Comics, Disney, Capcom, Hasbro, Cartoon Network, and Bandai-Namco.
He juggles his time between being a freelance comic writer and a professor teaching drawing and storytelling courses in Seneca College’s award-winning Animation program.
His current comic projects include Conan the Barbarian, the monthly adventures of Robert E. Howard’s legendary sword & sorcery hero, Dungeons & Dragons, the official comic series of the world’s most popular tabletop role-playing game, and Stone Star, a space-fantasy adventure set inside a roving gladiatorial arena.
You can find him online at www.jimzub.com and on twitter at @jimzub
I'm the author of The Jupiter Pirates series, in which we meet Tycho, Yana and Carlo Hashoone. They're part of the crew of the Shadow Comet, and simultaneously siblings and competitors. Each wants to be the next captain of their family's starship -- but only one of them will be chosen.
The Jupiter Pirates is part high-seas adventure and part space-age epic -- I've had a blast writing the first three books and am currently plotting out the second half of the saga. Officially the Jupiter Pirates books are for kids 8-12, but readers far older than that will enjoy them too.
As for me, I'm a writer, editor, and digital-content guy based in Brooklyn, N.Y. I've written more than 50 Star Wars books and short stories, as well as novels set in the Minecraft and Transformers universes. In a previous life I spent more than 12 years at The Wall Street Journal Online, where I wrote the Real Time column about technology and co-wrote The Daily Fix, a daily roundup of great sportswriting. Since 2005 I've co-written Faith and Fear in Flushing (faithandfearinflushing.com), a blog about the New York Mets, with my friend Greg Prince.
If that seems like an odd mix, well, I think so too. But one way or another, I've written or worked with writers nearly all my life. It's all I ever wanted to do, and I'm profoundly grateful that I've been able to do it.
Whether you're writing about a far-off galaxy or a nearby baseball team, the path to becoming a successful writer is the same: Write every day, learn from other writers and from good editors, push your writing to make sure it's as clear and engaging as possible, and value every form of writing you get to do. And be nice -- it takes a team to get a book from idea to bookstore shelves, and everyone else involved deserves your help, respect and gratitude.
For more on the Jupiter Pirates, drop by jupiterpirates.com. For more about me, see my personal page at www.jasonfry.net or visit my Substack at jasonfry.substack.com/. Thanks!
Seth Dickinson is the author of THE TRAITOR BARU CORMORANT and more than a dozen short stories. During his time in the social sciences, he worked on cocoa farming in Ghana, political rumor control, and simulations built to study racial bias in police shootings. He wrote much of the lore and flavor for Bungie Studios' smash hit DESTINY. If he were an animal, he would be a cockatoo.
Discover more of the author’s books, see similar authors, read author blogs and more
Hank Green started making YouTube videos in 2007 with his brother, John. They thought it was a dumb idea, but it turned out well. He is now the CEO of Complexly, which produces SciShow, Crash Course and nearly a dozen other educational YouTube channels, prompting The Washington Post to name him "one of America's most popular science teachers." Green co-founded a number of other businesses, including DFTBA.com, which helps online creators make money by selling cool stuff to their communities; and VidCon, the world's largest conference for the online video community. Hank and John, also started the Project for Awesome, which raised more than two million dollars for charities last year. He has written for a variety of publications, including The New York Times, Scientific American, and Mental Floss Magazine prior to his first published novel, An Absolutely Remarkable Thing, due out on Sept 25, 2018.
Michael Moreci is a bestselling comics author and novelist. His debut novel, Black Star Renegades--a space adventure in the spirit of Star Wars—was released in 2018 and dubbed one of the best sci-fi novels of the year by the Chicago Review of Books and The Verge. It will be followed by a sequel, We Are Mayhem, in April 2019.
In comics, Moreci is the creator of numerous original series and has written and collaborated on multiple established properties. His sci-fi trilogy, Roche Limit (Image Comics), was called the “sci-fi comic you need to read” by Nerdist and io9, and Paste Magazine called it one of the “50 best sci-fi comics of all time." He's currently writing the acclaimed sci-fi series, Wasted Space, for Vault Comics.
Moreci's other original comics series include Burning Fields, Curse, Hoax Hunters, and ReincarNATE. He's also written for multiple established properties, including Star Wars, Archie, Batman, Nightwing, Superman, Conan the Barbarian, and Hack/Slash.
He lives outside Chicago with his wife, children, and their dog.
Visit Michael at michaelpmoreci.com or twitter.com/MichaelMoreci.
Brittany N. Williams is a classically-trained actress who studied Musical Theatre at Howard University and Shakespearean performance at the Royal Central School of Speech & Drama in London. Previously she's been a principal vocalist at Hong Kong Disneyland, a theatre professor at Coppin State University, and made appearances in Queen Sugar and Leverage: Redemption. Her short stories have been published in The Gambit Weekly, Fireside Magazine, and the Star Wars anthology From a Certain Point of View: The Empire Strikes Back. Her debut novel, That Self-Same Metal, is a Young Adult historical fantasy set in Shakespearean London. You can find her on Twitter and Instagram as BrittanyActs and at brittanynwilliams.com.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonReviews with images
-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
While the story follows basic plot of “The Empire Strikes Back,” it uses the adjacent stories to help incorporate elements from subsequent films, television series, and canon novels. For example, Amy Ratcliffe’s story “Heroes of the Rebellion” discusses the importance of Jyn Erso and her band’s sacrifice following the events of “Rogue One,” which Gary Whitta continues in his story “Rogue Two.” Jason Fry’s “Rendezvous Point” references the episode “The Antilles Extraction” of “Star Wars: Rebels,” discussing how Sabine Wren helped Wedge Antilles and Hobbie Klivian defect from Skystrike Academy. Further, the tone of Fry’s story evokes the Rogue Squadron novels from before the Disney acquisition. Both Seth Dickinson’s “The Final Order” and John Jackson Miller’s “Lord Vader Will See You Now” reference or involve Rae Sloane, who first appeared in the novel “A New Dawn” and has gone on to appear in several subsequent novels and comic books. Dickinson similarly explains the Hoth system’s chaotic asteroid field as the result of the planetary system being in an early stage of formation (pg. 194), thereby responding to astrophysicists’ criticisms that the asteroid field is unrealistic. Tracy Deonn’s story “Vergence” gives the cave on Dagobah a backstory while depicting Yoda’s reckoning with his failures, from Dooku leaving the Jedi Order to become a Sith, to the Jedi Order’s role in the Clone Wars, to Ahsoka’s decision to leave the Order after being falsely accused of a crime she did not commit. Michael Kogge, Daniel José Older, Zoraida Córdova, and Austin Walker’s stories focus on the bounty hunters Darth Vader summoned to track the “Millennium Falcon.” In their way, these resemble the 1996 Bantam anthology, “Tales of the Bounty Hunters.” Additionally, Córdova’s “Wait for It” references material from the sixth issue of Marvel’s ongoing “Darth Vader” as well as episodes of “The Clone Wars” including “Death Trap,” “Lethal Trackdown,” “Deception,” and “Bounty.”
Katie Cook’s story, “The Dragonsnake Saves R2,” is the most original in this collection, being a one-page comic strip from the perspective of the creature that tried to eat R2-D2 on Dagobah. Cavan Scott’s “Fake It Till You Make It” features Jaxxon T. Tumperakki, the green space-rabbit who first appeared in issue no. 8 of Marvel Comics’ “Star Wars” title in 1977 and who re-entered the canon with IDW’s “Star Wars Adventures Annual 2018.” While some view Jaxxon as emblematic of the silliness and excess of the old Expanded Universe, I’ve always found him fun and “Fake It Till You Make It” was an enjoyable addition to the canon. Scott’s story is the first prose narrative featuring the character. Alexander Freed’s story, “The Man Who Built Cloud City,” evokes the real-life exploits of Emperor Norton I of San Francisco. Emperor Norton is exactly the kind of person who would fit in well in the “Star Wars” galaxy and Freed’s story works to great effect. “Star Wars: The Empire Strikes Back – From A Certain Point of View” follows in the style of its predecessor, offering entertaining alternative perspectives of the major events of “Episode V” along with some nice deep-references for the fans.
With the format it is very repetitive. Once again lets take a random animal and make it sentient. Some stories are decent, others are abysmal.
Top reviews from other countries
It arrived well within the estimated time.
Its cover is really flimsy, not even the average paperback. It should tear so easily. I beg you to buy the hardcover if possible, I regret not choosing this one, which is my one but strong regret regarding the purchase.
Reviewed in Brazil on September 4, 2022
It arrived well within the estimated time.
Its cover is really flimsy, not even the average paperback. It should tear so easily. I beg you to buy the hardcover if possible, I regret not choosing this one, which is my one but strong regret regarding the purchase.